Monday, May 2, 2011

Chelsea Mews or Walking with a Point and Shoot

Would you like to enjoy some pocket camera pictures from a week in Chelsea? I would love to be a professional photographer but I'm not. I just like to take pictures. So this is a little about pastime photography or capturing images to remember where you've been.

Perhaps one or two have some impact.



But mostly these photos are just pictures taken walking to and from the subway during a gig I had last week at the Chelsea Riverside Park and some walking around views during lunch.

New York is a walking town and there is always much to see.

For the past six years it has been a joy for me to come home and turn on the computer, upload some snapshots from the day and see on the big computer screen if I captured any keepers. Perhaps if I was younger and had sharper vision the upload would not be so rewarding but I don't and even with reading glasses, I can't see much on a three inch screen. With a point and shoot the computer screen always seemed to be full of surprises.

Except for the fact that I own some very good point and shoots, I probably would have given up on them when I purchased a Nikon D-7000. Ever since getting a DSLR and looking through that big viewfinder that makes for far better composition skills and seeing such high quality photos when I get home, I still missed those surprises. The little point and shoots, besides being able to fit in a pocket and go anywhere, still offer that type of upload excitement that has been lost after the upgrade.

So I walk to and from work with my trusty Canon G-10 and see what I can find. When I get home there is almost always a pleasant surprise to be found sitting on my couch between sunset shots with the big DSLR that rarely gets out of the apartment.



The photo above is early Monday morning, a man and his laundry. Except for the background, not a very impressive photo but because of the background there is a bit of Arthur C. Clarke, Charles Bukowski, Leonard Cohen, Bob Dylan, Allen Ginsberg, Janis Joplin, Robert Mapplethorpe, Iggy Pop, Dylan Thomas, Virgil Thomson, Patti Smith and Larry Rivers in the shot. I watched Cinema Verite last week so there was a little Lance Loud in the view and I'm just the right age that I can't pass the Chelsea Hotel without thinking about Nancy Spungen.



A foggy morning at the Chelsea Pier. Notice the ghostly water taxi bringing commuters from Hoboken and Jersey City to Manhattan. An old square rigger is docked at a place where rich Manhattanites stack themselves up to fire golf balls at a worker driving a cart around trying to pick up the balls that missed him. It's class warfare I tell you.



Since my favorite photo in this diary is a picture of a dog, I'll offset that with the above photo for you pootie fans. You would think that with Chelsea being such a Democratic stronghold they would have named it "The Blue Cat" but what are you gonna do?



"Images à La Sauvette?" Well perhaps not but I still love the above photo. The "fives" are because it is 555 West 23rd Street. With that being an area once identified with rough and tumble longshoremen and factory workers struggling to earn their daily bread, the view of a block filled with upscale condos is still a bit shocking.



Chelsea is a neighborhood in transition. Expensive condos are squeezing out the more affordable housing but nowhere near as much as other areas below 96th Street. You can find things in Chelsea that are seldom seen on the island of Manhattan. Like the seldom needed car wash and gas station. By the way the price for the cheap stuff is $4.18 and if you have one of those expensive German cars it's $4.44!



Who'd a thunk it? A display of tulips way out west on Twenty-third Street.



Perhaps this is a holdover for the Old West Chelsea days, one of those steam table bars that was filled with longshoremen and factory workers. Here is an interesting historical question "Who was the Half King?" It is a literary bar so maybe Dylan Thomas used to stop in when the walk from the Hotel Chelsea to The White Horse Tavern seemed too long. Or perhaps it is a newer bar and just made to look old. What do I know besides the fact that I was thrilled to capture two New York City Taxis in the reflection of the windows.



Or you can just walk around the corner from the Twenty-third Street tulips to the Terminal Hotel for a view that brings back some of the old western side of Chelsea. Watch out for the hole in the ground. With all the noses buried in smart phones these days those basement stairs could be terminal too.



Sadly a Chelsea renaissance view that did not hold over. How embarrassing it is to be a New York City photo buff and not have a photo of The Empire Diner back when it was still in business. Had I made it to 210 Tenth Avenue just one year ago I could have gotten a photo of the mini Empire State Building that marked the corner of 22nd and 10th.



The renaissance, or perhaps gentrification on Tenth Ave. has been going on for many years. The Empire Diner is gone but now surrounded by upscale art galleries and more expensive eateries. One block west and you can still find a different sort of art in buildings that have not yet found the new way. A view that is sure to be gone soon.



I'll never make a good street photographer because I'm not intrusive enough. I do love to work the pedestrian kinetics into a picture. You know there is far more to the composition study of the photo buff that meets the eye. What a joy it is for me to just capture a moment and see what I would have missed when I get home. In that photo I would have missed "gramroom."



Sometimes I get intrusive. How could I not snap that photo? Both a rewarding pastime and a means of preventing memories from fading. Oh yea, back to Chelsea.



A dinner break in the rain and I finally had The Highline to myself. This month the extension to 30th Street will open and I guess I'll need to write To Be Back On the High Line Again, again.



Here's a transition photo, an alley where Frank Gehry's IAC Building meets one of the old Chelsea factories. An expensive condo has already filled in the background.



You never know what you'll see in Chelsea. Take this real live "Purple People Eater" for instance. That is Chris Doleman playing football with the kids in the park.



And this year's NFL Draft choices talking to the NYC school children. I won't be able to name them until the become NFL stars. Any college football fans here who want to take a stab?



Well that's it, finishing off with a sporting view from a sporting week.



Need some coffee in Chelsea? I highly recommend "Joe" that can be found in the London Terrace Apartments.



Or better yet, another look at the 23rd Street tulips. I like tulips.

Monday, April 18, 2011

Just some photos from the "Heart and Soul" concert tour.

Two weeks ago on a Wednesday evening I went to see Stevie Nicks and Rod Stewart at Madison Square Garden.

I'm already having trouble remembering the rock concert, at least the second half is fading. Luckily I took a few pictures. Normally I would not post such low quality photos but seeing Stevie Nicks again was very special to me and I'd like to be able to look back at this someday to remember. These were mostly taken from the last floor row "Yay Last Row!" of the "Worlds Most Famous Arena" and taken with a pocket camera that only goes out to 5X.



There was far more light on the stage for Rod Stewart so the photos do get a little better in the end. So I don't feel so guilty perhaps I can throw in some tips on getting the shot in a big arena on concert night, add a little Fleetwood Mac political trivia and some Stevie Nicks memories to spice things up.

First the trivial pursuit. You probably remember that Fleetwood Mac was very big with Bill Clinton. The Big man, who knows a thing or two about making music, picked Don't Stop as in "thinking about tomorrow" for the flight song of the 1992 presidential campaign. On January 19, 1993 President Clinton even persuaded the then-disbanded group to reform and perform Don't Stop at the inaugural ball. Bill Clinton was very fond of Fleetwood Mac both coming and going. At the 2000 Democratic National Convention, President Clinton ended his speech by saying, "Keep putting people first. Keep building those bridges. And don't stop thinking about tomorrow!" As he finished speaking Don't Stop began playing over the loudspeakers.

For younger readers and Baby Boomers who were engaged elsewhere, let me further set the stage. On the long list of Fleetwood Mac accomplishments they had only had one chart topping single. The number one hit from back in 1977 was written and sang by Stevie Nicks. At the time Dreams was released Stevie Nicks was still quite young but those haunting lyrics seemed like the voice of an old soul.

Now here I go again, I see, the crystal visions
I keep my visions to myself

It's only me
Who wants to wrap around your dreams and...
Have you any dreams you'd like to sell?
Dreams of loneliness...

Like a heartbeat drives you mad...
In the stillness of remembering
What you had
And what you lost...

What you had...
Ooh, what you lost


Stevie Nicks was already far and away the star of the band because of a song she sang "about an old Welsh witch." That summer when Dreams was being played everywhere there was already "Rumours" that Stevie Nicks was a witch and the cover art captured the imagination of the masses, adding graceful ballerina to the mix.



The national fascination with Stevie Nicks was not merely visual. Yes she was young and beautiful, her twirling on MTV and on the the stage for those who got to see her in concert did sort of make her the Suzanne Farrell of Rock n' Roll and Stevie did sort of become American Royalty. Back in 1977 Stevie Nicks became a fashion statement and it seemed all the women my age wanted to be her while most of the young men wanted to be with her but it was more than just good looks and great sounds that captured America. "The music there was hauntingly familiar." Just about everyone, man or woman, saw or hoped they saw a little Stevie Nicks mystery in themselves. Perhaps her mystical ways and enchanting songs inspired a generation.

But does she still have it? I think so and since I've seen every one of her solo North American tours, even flew out to Vegas in 2005 when the tour started and ended in the Celine Dion Theater, I'm probably a pretty good but hardly objective judge. So you make the call, here's a comparison of Stand Back. It would not be fair to use the video that had me screaming "I want my MTV!" Here is the live video from 1983 and this looks like Red Rock back in 1986. Back with the band to do Stand Back live in 1987. Then there was some tough years, playing Woodstock back in 1998 comparing that with the comeback, Rocking the Plaza in 2005. This is today;



By now I sound like a groupie but while "I need a little sympathy" give me some credit. "Mod Rod" may have the soul in the "Heart and Soul" tour but Stevie Nicks, she's the heart. Still as much as I love the sound and the fond memories, I'll cherish these images. I was very surprised at how good they came out. I didn't have my good camera but that dosen't stop me from messing with the photos later on, zoomed out.



Stevie Nicks coming out onto the stage, zoomed in.



Pushing the optical zoom in this encore shot. Stevie Nicks was singing "Rock and Roll" in this shot, as in Led Zep's "It's been a long time, been a long time, been a long lonely, lonely, lonely, lonely, lonely time. Yes it has." The guy in the background had me thinking that John Bonham had come back to life. That was pretty amazing!



This is my favorite shot of the evening, really just dumb luck and probably meaningless to many. It was not actually taken during Talk To Me. a song she did not do this time. But I was going for the shot on the video wall of Stevie Nicks dancing in that room in the Talk to Me video and instead caught a transition that also reminded me of the of the "Stand Back" video.



"Did she make you cry, make you break down, shatter your illusions of love." Someone in the audience caught Gold Dust Womanon video. I've seen Stevie Nicks preform "Gold Dust Woman" several times but this time, because of a fuzzy photo and a shaky video, I'm going to remember how it looked.



Another bad photo except that, because of the White Winged Dove, I really like it. "He was no more... than a baby then. Well he... seemed broken hearted...Something within him. But the moment... that I first laid...Eyes... on... him... all alone...On the edge of... seventeen."



Two more transition shots of the video wall. From this;



To this, brings back some old visuals that seem "hauntingly familiar."



Rhiannon rings like a bell through the night. And wouldn't you love to love her?



Takes through the sky like a bird in flight. And who will be her lover?



All your life you've never seen a woman. Taken by the wind



Would you stay if she promised you Heaven? Will you ever win?

"This one is for you Daddy" Those words "Oh mirror in the sky, what is love? Can the child within my heart rise above? And can I sail through the changing ocean tides can I handle the seasons of my life?" All of the transition shots came from the song Landslide. Jess Nicks, Stevie Nicks' father, died on Aug. 10 of 2005 but Stevie said she "Could not turn around and look at the photos." There were family pictures on the video wall as she sang Landslide.



I've been afraid of changing
'Cause I, I've built my life around you
But time makes you bolder
Children get older
I'm getting older too oh yes
I'm getting older too




So, take this love, take it down
Oh if you climb a mountain and you turn around
If you see my reflection in the snow covered hills
Well the landslide will bring you down, down
And if you see my reflection in the snow covered hills




Hopefully not the final bow for Stevie Nicks that I will see.



Show is over, time to take another look at the Garden and meet some friends upstairs.

But first I promised some hints about getting pretty good arena shots with a point and shoot. The problem with getting good photos when shooting in auto is that there is far to much light on the stars and the meter reads the entire stage. There are several methods of overcoming this but the least tedious is once you zoom in all the way, zoom in again with the optical zoom and press down half way to lock in the focus and exposure. With the button still pressed down half way, zoom back out to the composition you want and click.

I was walking around when Rod came on.







What, do you think I'm going to turn this into a Rod Stewart diary now? Give me a break. But that is one good looking arena.



I'm kidding Rod. He is a pop music icon, a great performer and a living legend. Just ask him and he'll tell you himself.



Still kidding, I have no clue what Rod's view of himself are and many of his songs take me back.







Rod also had the good sense to bring Stevie Nicks out for two duets. Note to Rod, the woman has a long list of impressive duets. What they were doing Passion together for was beyond me.



But he gets credit for Leather and Lace.







The old crooner got good review and he deserved it. Well the NYT wasn't too happy but you know how they get.



Say goodnight Rod.



I hope you enjoyed my views.

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